This intensive, project-based, development programme is aimed at screenwriters and creative teams behind first and second-time Feature Films. Participants should have a strong film project ready to progress from outline to first draft, or from first to revised draft. Eight projects will be chosen to participate. In the first week there will be lectures on the craft of screenwriting and each project will be workshopped. Between October and December participants will have individual input and guidance as they rewrite. Finally the groups will come together again for two days in December for more intensive input.
The tutors’ approach is to help writers to find the best realised versions of their stories, while also disseminating a shared approach to writing for the screen. They are especially interested in an audience-centred approach to the story. Particular attention is given to creating a deeper understanding of how plot works on screen, and how it relates to character. They will interrogate the key ingredient of dramatic tension – how to create it, how to sustain it, and how to use sequences to focus narrative.
The programme consists of three parts, at the end of which each writer/team should have a cohesive first or second draft, or a strong outline and the first twenty five pages. Please note that the approach is collaborative and writers will be asked to share pages and read each other’s work. Confidentiality and mutual respect is required. This training is an investment in the participants. Only those who are committed to completing the work required should apply.
Part One – Workshop, 4 days. This focuses on the Sequence Approach as a tool to mapping out story and character and includes:
Part Two – One to one Project Meetings:
Part Three – Final 2 day Workshop:
Eight projects will be selected in total. Writers should have already completed a feature film script, a short film, or a novel or stage play. Participants can apply as individual writers, or as a team – Writer, Producer and Director or Development Executive. We would especially encourage teams to apply. There are also a small number of places on the course for script editors. Applicant script editors may be freelance, attached to production companies, or script readers who wish to upskill – but must have relevant industry experience and be seeking to broaden that experience. Participants must be able to attend all of the dates of the programme schedule.
Screen Training Ireland will offer additional support to two writers / teams from minority/disadvantaged backgrounds by waiving their participation fees and preserving two places for their attendance. This support is intended to encourage greater diversity of creative writing voices and they will be reserved specifically for participants who would otherwise not be able to take part.
If you are a writer from a minority group or have been educationally disadvantaged and are interested in participating in this course, please contact Grainne Bennett directly on email@example.com.
Screen Training Ireland courses are open to all regardless of gender, race, religion, sexual orientation or disability.
Only project applications with an outline attached can be considered. Script editors should also apply online with a CV.
The Deadline for applications is 10:00 am on the 17th of September 2018.